Music by Charles Céleste HUTCHINS
New Electronic and Acoustic Sounds
Categories: 2010, Field Recording, Noise, Supercollider | 1 Comment | Play Mp3

Silicon Valley by Rail (2010) I was home last year for my uncle’s funeral. I don’t have a car or even a drivers license any more, so I rode a lot of trains, especially around the the South Bay Area. Silicon Valley’s trains are diesel, with real bells on them. They sound like something out [...]

Categories: 2010, MOTM, Music, Noise, Podcasts, SimpleSample, Supercollider | 1 Comment | Play Mp3

Live at NOISE=NOISE #19 (29 April 2010) There’s a series of Noise concerts in the London area called NOISE=NOISE, curated by Ryan Jordan. They’re usually pretty awesome. This was the second one I’ve played in. It was organised about two days before the event, so I threw together my set at the last minute. In [...]

Categories: 2008, 2009, Microtonal, Noise, Supercollider, Synthesizer | Add a Comment | Play Mp3

Blakes 9 (2008-9) I’ve been working on this piece for over a year and it’s time to say it’s done. The inspiration to start this piece came from two sources. One was that I watched the TV show Blakes 7 and thought it had great incidental music. And the other was that I briefly dated [...]

Categories: 2009, Ardour, Noise, Shorts, Synthesizer, commission | Add a Comment | Play Mp3

Shorts: #29 Raining Up (2009) Commissioned and titled by Autumn Looijen This piece was created using a MOTM Synthesizer and mixed in Ardour. There were several false starts. I had been doing field recordings of storms and for a while, every artificial sound I made seemed to also sound like weather. The title Autumn chose [...]

Categories: 2008, Celesteh, Just Intonation, Noise, Supercollider, Synthesizer | 2 Comments | Play Mp3

Blake’s 9 (2008) This piece has changed significantly since I first posted it and a newer version has since been posted. I recently watched the entirety of the TV series Blake’s 7. Like all BBC science fiction productions of it’s era, the incidental music and sound effects are outstanding. The background hums, the computer whirrs [...]

Categories: 2008, English, Noise, Supercollider | 1 Comment | Play Mp3

Phreaking (2008) I wrote this piece for BrumCon 07. The con was sponsored by our local 2600 group, so I decided to use telephone in-line signaling codes as source materials. I spent a lot of time readin up on phone phreaking, which was just so completely cool. I never did it as a kid because [...]

Categories: 2008, Celesteh, English, Microtonal, Noise, Supercollider | Add a Comment | Play Mp3

Every other week, I have to give myself an injection of testosterone. I find it really hard to actually pierce my flesh with a needle. It’s like stabbing myself. At the same time, having testosterone in my body is crucial to my identity. About a month ago, I used a small digital camera and apple’s [...]

Categories: 2007, Celesteh, Field Recording, Noise, Shorts, Synthesizer, commission | 1 Comment | Play Mp3

Commissioned and titled by Josh Fruhlinger. (2007) Josh gave me the title before I started the piece. Gil Thorp is the name of a surreal American newspaper comic which is supposed to be about high school sports. Josh runs a blog discussing newspaper comics, called the Comics Curmudgeon. I recorded (British) football from my TV, [...]

Categories: 2008, Ardour, Celesteh, Electronic, Noise, Soundscape | Add a Comment | Play Mp3

I used my cell phone to record Nicole clapping inside the cathedral in Breda, the Netherlands. There was an exceptionally long echo on her clap. I used Audacity to snip out the impulse response from the recording and convolved it several times with the entire recording, using Sound Hack. My cell phone, unsurprisingly emphasizes high [...]

Categories: 2007, Areophone, Didjeridu, Noise, Sherman filter, Shorts, commission | Add a Comment

Shorts: #25 Untitled (2007) Commissioned and (un)titled by Scott Wilson I talked today about whether or not he wanted to give me a title, and Scott noted that the piece has a “flatuent quality,” but it would be better to resist referencing that in a title. To make this piece, I recorded myself playing a [...]