{"id":69,"date":"2007-03-30T02:04:53","date_gmt":"2007-03-30T00:04:53","guid":{"rendered":"http:\/\/www.berkeleynoise.com\/celesteh\/podcast\/?page_id=69"},"modified":"2022-04-04T10:39:10","modified_gmt":"2022-04-04T09:39:10","slug":"cv","status":"publish","type":"page","link":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/presskit\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Charles C\u00e9leste Hutchins \/ Composer<\/h4>\n\n\n\n<p>UK Tel: +44 (0) 790 825 5439<\/p>\n\n\n\n<p><a href=\"mailto:celesteh@gmail.com\">celesteh@gmail.com<\/a><\/p>\n\n\n\n<p>b. 1976 in San Jose, California, USA<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Statement<\/h4>\n\n\n\n<p>I primarily do computer music and installations, but also enjoy ensemble writing and tuba improvisation.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Press<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;A . . . tension-building weapon to entice listeners through harshness and hypnosis&#8221; &#8211; <a href=\"https:\/\/areamagazine.wordpress.com\/2011\/08\/01\/review-sonicpicnic\/\">Area Culture Guide, 1 August 2011<\/a><\/li><li>&#8220;Witty and concise&#8221; &#8211; <a href=\"http:\/\/www.brumlive.com\/soundkitchen-sonicpicnic-vivid-29th-july-2011\/\">Birmingham Live, 29 July 2011<\/a><\/li><li>&#8220;Worth submerging oneself in&#8221; &#8211; <a href=\"http:\/\/disquiet.com\/2010\/05\/07\/charles-celeste-hutchins\/\">Disquiet, 7 May 2010<\/a><\/li><li>&#8220;satisfying manglings&#8221; &#8211; <a href=\"http:\/\/hurdaudio.blogspot.com\/2007\/04\/support-arts-commission-music.html\">Hurd Audio, 17 April 2007<\/a><\/li><li>&#8220;takes the art of noise to a higher level . . . a great soundtrack to your life&#8221; &#8211; <!-- a href=\"http:\/\/www.sfweekly.com\/issues\/2005-06-29\/calendar\/nightday3.html\" --><a href=\"http:\/\/web.archive.org\/web\/20060213221010\/http:\/\/www.sfweekly.com\/issues\/2005-06-29\/calendar\/nightday3.html\">SFWeekly, 29 June 2005<\/a><\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Discography and Film<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>2019:<\/strong> <a href=\"https:\/\/charleshutchins.bandcamp.com\/album\/the-last-christmas\">The Last Christmas<\/a><\/li><li><strong>2017<\/strong>: <a href=\"https:\/\/charleshutchins.bandcamp.com\/album\/christmawave\">Christmawave<\/a><\/li><li><b>2016<\/b>: Tuba on <a href=\"http:\/\/www.panyrosasdiscos.net\/pyr180-lauren-redhead-ijereja\/\"><i><em>ijereja<\/em><\/i><\/a> by Lauren Redhead.<\/li><li><b>2016<\/b>: <a href=\"https:\/\/charleshutchins.bandcamp.com\/album\/12-days-of-crimbo\"><i><em>12 Days of Crimbo<\/em><\/i><\/a><\/li><li><b>2015<\/b>: One Track on <a href=\"https:\/\/soundartistcollective.bandcamp.com\/album\/no-room-2015\"><i><em>No Room 2015<\/em><\/i><\/a>, from Sound Collective<\/li><li><b>2015<\/b>: Additional composition for <i><em>The Public House<\/em><\/i>, a <a href=\"https:\/\/www.facebook.com\/thepublichousefilm\">film<\/a> by Sarah Turner<\/li><li><b>2014<\/b>: Two tracks in <i><em>The Shape of Spaces Yet To Come<\/em><\/i> in the <a href=\"http:\/\/www.leonardo.info\/isast\/journal\/currentissue-lmj.html\">December 2014, Vol. 24 of Leonardo Music Journal<\/a>.<\/li><li><b>2014<\/b>: Tenor voice on <a href=\"http:\/\/www.innova.mu\/albums\/vocal-constructivists\/walking-still\"><i><em>Walking Still<\/em><\/i><\/a> by the Vocal Constructivists from Innova Records.<\/li><li><b>2013<\/b>: One track on <a href=\"https:\/\/blackcirclerecords.bandcamp.com\/album\/artists-for-laetitia-schteinberg\"><i><em>artists for laetitia schteinberg<\/em><\/i><\/a> from Black Circle Records.<\/li><li><b>2009<\/b>: Contributed to one track on <a href=\"http:\/\/supercollider.sourceforge.net\/sc140\/\"><i><em>Supercollider140<\/em><\/i><\/a><\/li><li><b>2006<\/b>: One Track on <i><em>Solo Modular Synthesizer Compilation<\/em><\/i> from <a rel=\"noopener\" href=\"http:\/\/web.archive.org\/web\/20070902064050\/http:\/\/www.emr-records.com\/catalog.html\" target=\"_top\">Experimental Musical Research<\/a><\/li><li><b>2005<\/b>: <a href=\"https:\/\/charleshutchins.bandcamp.com\/album\/political-voices-and-just\"><i><em>Political Voices and Just<\/em><\/i><\/a>.<\/li><li><b>2002<\/b>: <i><em>Virtual Memory<\/em><\/i>,  from Mp3.com.<\/li><li><b>2001<\/b>: <a href=\"https:\/\/charleshutchins.bandcamp.com\/album\/faux-pas\"><i><em>Faux Pas<\/em><\/i><\/a>.<\/li><li><b>2001<\/b>: Two tracks on <i><em>Random Spheres of Influence<\/em><\/i>, published by <a href=\"http:\/\/web.archive.org\/web\/20060212225818\/http:\/\/www.geocities.com\/IBOLrecords\/rsoi.html\">IBOL Records.<\/a><\/li><li><b>Unreleased, recorded in 2005<\/b>: Tuba \/ Sax duo with Anthony Braxton.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Talks, Presentations, and Papers<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>October 2021<\/strong> &#8216;<a href=\"https:\/\/doi.org\/10.1145\/3483529.3483769\">Make America Grate Again<\/a>&#8216; ARTECH 2021: 10th International Conference on Digital and Interactive Arts Article No.: 118, Pages 1\u20133<\/li><li><strong>March 2021<\/strong> \u2018<a href=\"https:\/\/a-nourishing-network.radical-openness.org\/breaking-out-of-boxes-building-community-in-online-events.html\">Breaking out of boxes: Building community in online events<\/a>\u2019 <i>A Nourishing Network<\/i>, Servus, Linz<\/li><li><strong>August 2020<\/strong> \u201cConstructing Infinity\u201d panel discussion about an online collaborative graphic<br \/>notation platform.<\/li><li><strong>February 2018 <\/strong>\u2018Trans and Noise\u2019 at New Emergences #12, STEIM, Amsterdam<\/li><li><b>September 2016<\/b> &#8216;Temporality, Structure, Symbols and the Social: Graphic Notation as Process&#8217; chapter in <i><a href=\"2http:\/\/www.cambridgescholars.com\/music-andas-process&quot;\">Music and\/as Process<\/a><\/i>, Cambridge Scholars Publishing<\/li><li><b>May 2016<\/b> &#8216;The Trouble with Twitter&#8217; at the Art Meets Radical Openness festival in Linz, Austria<\/li><li><b>May 2016<\/b> &#8216;Please Touch: Sex Robot #1&#8217; at the Sound Acts Festival in Athens, Greece<\/li><li><b>July 2015<\/b> &#8216;<a href=\"https:\/\/iclc.toplap.org\/2015\/meta\/95_Live_Patch__Live_Code.pdf\">Live Patch \/ Live Code<\/a>&#8216; at the Live Code Conference in Leeds.<\/li><li><b>July 2014<\/b> &#8216;Soundbeam: a Platform for Sonifying Web Tracking&#8217; at NIME.<\/li><li><b>June 2014<\/b> &#8216;Temporality, Structure, Symbols and the Social: Graphic Notation as Process&#8217; at Music and\/as Process in Canterbury.<\/li><li><b>October 2013<\/b> Participated in concluding roundtable at the Notation Symposium at Goldsmiths in London.<\/li><li><b>May 2013<\/b> &#8216;<a href=\"https:\/\/github.com\/celesteh\/TuningLib\/blob\/master\/README.md\">The TuningLib Quark<\/a>&#8216; at the SC2013 SuperCollider Symposium in Boulder, CO, USA.<\/li><li><b>April 2013<\/b> On a panel at the Notation in Musical Practice conference at Wesleyan University in Connecticut, USA.<\/li><li><b>April 2012<\/b> &#8216;Working on a mixed network with BiLETools&#8217; with Shelly Knotts and Chris Tarren at the SC2012 SuperCollider Symposium in London, UK.<\/li><li><b>July 2011<\/b> &#8216;BiLE networking strategy and tools&#8217; with Shelly Knotts at the Laptops Meet Musicians Festival in Venice, Italy.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Affiliations<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><b>2003 &#8211; present<\/b> Board member of <a href=\"http:\/\/www.otherminds.org\/\" target=\"_top\" rel=\"noopener\">Other Minds<\/a> in San Francisco, California<\/li><li><b>2009 &#8211; present<\/b> Chair of the board of <a href=\"http:\/\/www.Fossbox.org.uk\" target=\"_top\" rel=\"noopener\">Fossbox<\/a> in London, UK<\/li><li><b>2011 &#8211; present<\/b> Member of the <a href=\"http:\/\/www.vocalconstructivists.com\/\">Vocal Constructivists<\/a> in London, UK.<\/li><li><b>2014 &#8211; present<\/b> Member of the Music and\/as Process RMA Study Group.<\/li><li><b>2015 &#8211; present<\/b> Member of Autonomous Tech Fetish arts organisation in London, UK.<\/li><li><b>2011 &#8211; 2015<\/b> Co-founding member of <a href=\"http:\/\/www.bilensemble.co.uk\/\">BiLE<\/a> in Birmingham, UK<\/li><li><b>2011 &#8211; 2014<\/b> Project Coordinator for the <a href=\"http:\/\/networkmusicfestival.org\/\">Network Music Festival<\/a> 2012-4.<\/li><li><b>2011 &#8211; 2013<\/b> Organiser of monthly London SuperCollider Users Group meetups.<\/li><li><b>2007 &#8211; 2011<\/b> Member of BEAST, Birmingham Electroacoustic Sound Theatre at the University of Birmingham, UK.<\/li><li><b>2006 &#8211; 2009<\/b> Member of the advisory board of Transonic Arts in New York<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Education<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>PhD in Musical Composition, 2012, Thesis, &#8216;<a href=\"http:\/\/etheses.bham.ac.uk\/3919\/\">Portfolio of Compositions<\/a>&#8216;, University of Birmingham with Scott Wilson<\/li><li>Sonology Course, Spring 2007, Royal Conservatory of the Netherlands<\/li><li><a href=\"http:\/\/www.centre-iannis-xenakis.org\/\">CCMIX<\/a> year long course in electronic music, Spring 2006<\/li><li>MA in Composition, Spring 2005, Wesleyan University with Ron Kuivila<\/li><li>BA in Electronic Music and Recording and also in Computer Science, Spring 2008, Mills College with Maggi Payne<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">New and Notable Performances<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>October 2021<\/strong> <em>Make America Grate Again<\/em> installation presented at ARTECH 2021, Aveiro, Portugal<\/li><li><strong>December 2019 <\/strong>Tenor in <em>Three Sound Sculptures<\/em> by Wojtek Blecharz in the Jazz and Experimental Music from Poland festival, London<\/li><li><strong>September 2018<\/strong> Wrote software for <em>Chronica<\/em> &#8211; live video cutting based on biofeedback, video content by Sophie Hoyle, presented at Jerwood Sapce, London<\/li><li><strong>June 2018<\/strong> <em>Listen<\/em> installation presented at Vocal Constructivists\u2019s <em>The Space of the Spirit<\/em> concert at Lument Baptist Church, London<\/li><li><b>July 2017<\/b> <em>Immrama<\/em> live notation piece performed by toy piano, tenor and accordion at the Music and Philosophy conference, Kings College, London<\/li><li><b>May 2017<\/b> Set of algorithmically generated dubstep with live tuba wub at the Chemical Algorave in Newcastle<\/li><li><b>August 2016<\/b> Set of live coded dance music in the Algorave tent at the Electromagnetic Field festival, UK<\/li><li><b>June 2016<\/b> <em>Chicken Fucker<\/em> piece for &#8216;robot&#8217; piano at the Slippery Chicken symposium at Goldsmiths College, London<\/li><li><b>May 2016<\/b> <em>@BlockAllTwerps<\/em> installation at Art Meets Radical Openness in Linz, Austria<\/li><li><b>April -May 2016<\/b> <em>Please Touch: Sex Robot #1<\/em> installation at the Libre Graphics Meeting in London and also at the Sound Acts Festival in Athens, Greece<\/li><li><b>April 2016<\/b> <em>Immrama<\/em> live graphic notation piece performed by the Vocal Constructivists at Ideopreneurial Entrephonics II in Dublin, Ireland<\/li><li><b>November 2015<\/b> <em>Please Touch<\/em> installation of two &#8216;sex robots&#8217; at Common House, Bethnal Green, London.<\/li><li><b>July 2015<\/b> Performed in <em>The Great Learning<\/em> by Cornelius Cardew at Union Chapel, London.<\/li><li><b>June 2015<\/b> <em>#SC140<\/em> installation for playing SuperCollider tweets in real time on a Raspberry Pi, at the Klang Festival in Montpelier, France.<\/li><li><b>May 2015<\/b> Live synthesiser patching at St Laurence Church in Catford.<\/li><li><b>March 2015<\/b> <em>Soundbeam<\/em> with BiLE at Sex and Security at Furthfield Commons in London.<\/li><li><b>February 2015<\/b> Performed in The Scratch Orchestra&#8217;s <em>Nature Study Notes<\/em> at Cafe Oto in London, UK.<\/li><li><b>June 2014<\/b> <em>Imramma<\/em> live notation piece, performed by the Vocal Constructivists at the Music and\/as Process Conference in Canterbury.<\/li><li><b>March 2014<\/b> <em>#SC140<\/em> installation for playing SuperCollider tweets in real time at the SEAMUS conference at Wesleyan University, Connecticut, USA.<\/li><li><b>February 2014<\/b> <em>Cloud Drawings<\/em> at the Other Minds Festival in San Francisco.<\/li><li><b>May-June 2013<\/b> USA tour with piece <em>Cloud Drawings<\/em>, presented at the SuperCollider Symposium in Boulder and in San Francisco, Seattle and at the SubZero Festival in San Jose.<\/li><li><b>April 2013<\/b> Solo live synthesiser patching at the Live.Code.Festival in Karlsruhe, Germany<\/li><li><b>March 2012<\/b> Duo with live synthesiser patching and Will Conner on percussion at Boat-ting in London, UK.<\/li><li><b>January 2012<\/b> Piece <i><a href=\"https:\/\/www.youtube.com\/watch?v=imyn4w_nRA4\"><em>The Death of Stockhausen, Act 2<\/em><\/a><\/i> performed by BiLE, the Birmingham Laptop Ensemble, at the Network Music Festival in Birmingham, UK.<\/li><li><b>July 2011<\/b>: Piece <em>Partially Percussive<\/em> performed by <a href=\"http:\/\/www.bilensemble.co.uk\/\">BiLE<\/a> at the Laptops Meet Musicians Festival in Venice, Italy.<\/li><li><b>April 2011<\/b>: Piece in <i><em>Ancient and Modern<\/em><\/i> Concert at St Marys Collegiate Church in Warwick, UK.<\/li><li><b>April 2010<\/b>: Solo set of analog modular synthesizer and live-sampling at Noise=Noise at Butchers Corner in London, UK.<\/li><li><b>May 2009<\/b>: Piece in the BEAST Festival at the CBSO Centre in Birmingham, UK.<\/li><li><b>July 2008<\/b>: Duo with Polly Moller and a homebrew lie detector at the Edgetone Festival in San Francisco, California, USA.<\/li><li><b>July 2008<\/b>: Improvised duo with Polly Moller live on KFJC radio in Los Altos Hills, California, USA.<\/li><li><b>May 2008<\/b>: Solo set of laptop and film at the Eclectic Tech Carnival at the Plantage Dok in Amsterdam, the Netherlands.<\/li><li><b>February 2008<\/b>: <a href=\"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/?p=89\">Improvised duo <\/a>on laptop and analog synthesizer and Matt Davignon on pedals and electronic devices at the 1510 Performance Space in Oakland, California, USA.<\/li><li><b>January 2008<\/b>: Improvised solo on laptop and analog synthesizer at the Luggage Store Gallery in San Francisco, California, USA<\/li><li><b>October 2007<\/b>: <a href=\"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/?p=19\"><em>Lock Up Your Children<\/em><\/a> in the Birmingham Book Festival at the Ikon Eastside in Birmingham, UK<\/li><li><b>July 2007<\/b>: Laptop set at the Eclectic Tech Carnival at Cafe Strom in Linz, Austria<\/li><li><b>May 2007<\/b>: Improvised duo on laptop and zebu horn with Nick Fox-Gieg on laptop at <a href=\"http:\/\/www.zentrale-randlage.org\/\">Zentrale Randlage<\/a> in Berlin, Germany<\/li><li><b>March 2007<\/b>: Live set on <a href=\"http:\/\/radio.sampleandhold.org\/\">United Colors of Noise<\/a> radio show broadcast from The Hague, the Netherlands and streamed on the Internet<\/li><li><b>October 2006<\/b>: Two pieces at the TAG Gallery in The Hague, the Netherlands<\/li><li><b>August 2006<\/b>: Improvised quartet on tuba with Aram Shelton on reeds, Jen Baker on trombone and Damon Smith on double bass at the Temescal Cafe in Oakalnd, California, USA<\/li><li><b>August 2006<\/b>: Improvised duo on synthesizer with David Jensenius on laptop at the Maybeck Recital Hall in Berkeley, California, USA<\/li><li><b>August 2006<\/b>: Laptop set at the Luggage Store Gallery in San Francisco, California, USA<\/li><li><b>June 2006<\/b>: Composition and improvisation duo on laptop with Sol\u00e8ne Riot on recorder and cornetto, accompanying dance contact improvisation at 10 rue Bisson, Paris, France.<\/li><li><b>March 2006<\/b>: Text sound poetry and electronic noise at La Barbare in Montreuil, France.<\/li><li><b>August 2005<\/b>: Improvisation at Luggage Store Gallery in San Francisco, CA on tuba and laptop with Phillip Greenlief-reeds, Noah Phillips-guitar, and Damon Smith-double bass<\/li><li><b>June 2005<\/b>: Set of Text Sound Poetry at the BRINK Series at the Hemlock Tavern in San Francisco, CA, USA<\/li><li><b>June 2005<\/b>: Improvised duo at the Garden of Memory concert in Oakland, CA on laptop with Ellen Fullman on autoharp<\/li><li><b>October 2004<\/b>: <i><a href=\"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/?p=16\"><em>Coulter Shock<\/em><\/a><\/i> played at Red Festival in Toronto<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Charles C\u00e9leste Hutchins \/ Composer UK Tel: +44 (0) 790 825 5439 celesteh@gmail.com b. 1976 in San Jose, California, USA Statement I primarily do computer music and installations, but also enjoy ensemble writing and tuba improvisation. Press &#8220;A . . . tension-building weapon to entice listeners through harshness and hypnosis&#8221; &#8211; Area Culture Guide, 1 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":62,"menu_order":1,"comment_status":"closed","ping_status":"open","template":"","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"class_list":["post-69","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/pages\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/comments?post=69"}],"version-history":[{"count":44,"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/pages\/69\/revisions"}],"predecessor-version":[{"id":646,"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/pages\/69\/revisions\/646"}],"up":[{"embeddable":true,"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/pages\/62"}],"wp:attachment":[{"href":"https:\/\/www.berkeleynoise.com\/celesteh\/podcast\/wp-json\/wp\/v2\/media?parent=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}