This piece was composed using SuperCollider and a synthesiser for Irene’s birthday. It was presented as a part of an installation at the Rupture Gaming Festival in Kent. The source material is recorded with an analogue modular synthesiser. The SuperCollider program takes that material and granulates it, dramatically changing the …
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My colleague, Jackie Walduck, was showing students how to create phase music by putting loops out of synch in a DAW. Then …
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As per holiday tradition, I have again produced a Christmas album, although only an EP this year – or a virtual chamber …
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Santa Loves You I was extremely startled to hear the religious content in the second verse of Here Comes Santa Claus. It …
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Sledge Trudge Some songs have hidden dystopian meanings or inner, subtle depth. And some are just dull but still popular. From Kenny …
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The Santopticon (He Sees You) He sees you when you’re sleeping. All of my Christmas songs this year are fundraising for the …
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Funky (The Slow Jam) This uses three different audio sources. In this version, there’s no effort to do beat matching and the …
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Walking in a Winter No Man’s Land Perhaps the strangest part of the lyrics of the original song is when a snow …
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Lettuce, No Yet another deconstruction of a baby boomer favourite. The title was provided by a member of the Mastodon social network, …
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I Saw the Mummy Killing Santa Claus The uplifting choir bits at the very beginning and very end of this 1950s Christmas …
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