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Dick Pic Hymnen

[play] Dick Pic Hymnen (2016)

This piece was commissioned by lesbiancockslut.com [NSFW]

When commissioned, I appealed on twitter for people to send me dick pics. Specifically, encrypted dick picks, to highlight that various national governments are spying on our sexts. In return, I was sent two unecrpyted images and one encrypted one. The unlocked images were of a tin of spotted dick, and a rooster (known to the English as a ‘cock’). The encrypted image was of the sender’s ‘friend, Richard.’

I took these files and played them as if they were wav files. Compressed and encrypted files sound like white noise, so I took the two unencrypted images and converted them to raw image formats. I then converted those to raw audio and used them as samples.

The pitches and rhythms in the piece are taken from a hymn that was popular in American Catholic churches when I was a child.

The images in the video are (obviously) not the images in the audio, as those were of unknown copyright status. The video images come from picasaweb.google.com/lh/photo/hJOtwAhiy6I9de3uFZxJUw and ommons.wikimedia.org/wiki/File:Boxerbriefs.jpg

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The Dream of the 80’s

[play] The Dream of the 80’s (2016)

This is a Vaporwave study.

I’ve recently learned about this genre, which was invented by teenagers doing deconstructive remixes of 80’s and early 90’s commercial culture ephemera. They take audio and video samples of brick and mortar consumer culture and cultural nostalgia to create criticism of pre-online capitalism, as far as I understand it.

I stumbled onto this genre shortly after finishing my Christmas album and realised that that it was very close to what I was already doing. I also had the much more disconcerting twin realisation that early 90’s muzak was a formative musical influence, due to how much I was subject to it during an impressionable age.

For this study, I took the advert for the Cupertino Inn and cut out all of the (extremely awkward) narration and was left only with the very muzak-y background. Because my editing was abrupt cuts, which did not adjust for beat matching, I decided to use granular-style techniques for cutting the audio, but with extremely oversized ‘grains’. I put this over a looped, half speed playback of the cut audio.

For the video, I used ffmpeg to spit out 12 frames a second as jpegs. I then used a python script to glitch every frame and reassembled the video. I editted them together in openshot, which, due to my inexperience, played the video at 12.5 fps, so I looped the closing image.

I picked this advert because I have a relationship with this hotel and because I thought it was extremely odd that they made an advert in 2010 that so completely and unintentionally embraced 80’s nostalgia and human misery. The Cupertino Inn is under new management in the last two years and has updated it’s vibe and furnishings. It is now a nice hotel. You should stay there, not only because I have a financial interest in you doing so.

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