This piece plays triads with a sound that resembles wind chimes. It uses a spatialization algorithm so that each “chime” sounds like it is coming from a different location. The pitch of each new set of chimes is based on the pitch of the chimes that precede it. The pitches come from a 21-limit tuning table.
I wrote this piece while going through a divorce. It was intended to sound angry, but instead seems sad.
Des triades des cloches fausses.