Rather than fight my short attention span, I’ve decided to embrace it and do a series of really short works. This is the first in the series.
The sounds were recorded in the massive analog synthesizer in BEA 5 in Sonology, in the Royal Conservatory, in The Hague, the Netherlands. The mixing was done with Ardour running on a macmini, but displaying remotely on my laptop with X windows. I can’t recall the patches used for the sounds, except that they involved a 200 kilo plate reverb. Tomer may have contributed to this.