Commissioned by Graham Coleman in honor of Rob’s birthday. Happy Birthday Rob!
I made this piece in BEA 5 in Sonology in the Royal Conservatory of The Hague. I was hung over (after playing tuba the night before) and up at an extremely early hour because my dog had an early dress rehearsal for a concert that evening. I walked by BEA 5 and it was empty! I had one of those rare moments of clarity where a patch is entirely clear. I knew exactly how to tune the oscillators and where to route them. I love chaos patches, but their over-use can be cheesy. But Rob just recorded an album with a casio keyboard. So no worries there. I used all 16 oscillators, cascading them into chaos and then sent the output of them to the control inputs of the VOSIM. I sent the output of that to the third octave filter, which I used to damp the highs and also because it adds a nice character to everything it touches. It was too early to be awake, I’d slept too few hours and I was hung over, so despite my clarity, I misplugged a bunch of wires, accidentally sending the sine output and the square output of the same oscillator to two different inputs of the VOSIM, when I’d meant to take sine outputs of two different oscillators. It didn’t matter. It sounded great. Maybe better. I recorded everything in less than half an hour and then came home and mixed it quickly, like a romantic poet inspired by a tree.